Monday 14 September 2020

The Heavenly Twins and the Egg

 

Why ever an egg?

Before writing  up a long put off life of Castor and Polyduces, the Classical Heavenly Twins, and their worship, we need to speak of one more background detail about them that needs a post all to itself.  Why ever did the Greeks have them being born from an egg?  It is not something we find spoken of about the Aśvinau, even though they are withmeted to birds in the Ṛgvedaḥ.  It is true that swans and (white) horses seem particularly connected to Castor and Polyduces, no doubt as metaphors for the twin stars or fires that are their primordial symbol, but we have already seen that other paired beasts like lions, dragons/snakes or wolves could also be thought of as betokening them.  Whilst it is tempting to see the egg birth as a straightforward outcome of Zeus begetting them on Leda (Λήδα) in the shape of a swan, we shall see that there is much more to it than that.  For the egg was not seemingly an original feature of their myth, but has rather found its way into it from that general confusion we have already spoken of in earlier posts with ideas of the first man and woman.  But let us begin at the beginning.
 
Apollodorus tells us in his Library 3.10.7 that:
" Διὸς δὲ Λήδᾳ συνελθόντος ὁμοιωθέντος κύκνῳ, καὶ κατὰ τὴν αὐτὴν νύκτα Τυνδάρεω, Διὸς μὲν ἐγεννήθη Πολυδεύκης καὶ Ἑλένη, Τυνδάρεω δὲ Κάστωρ καὶ Κλυταιμνήστρα."
 
"But Zeus in the form of a swan consorted with Leda, and on the same night Tyndareus cohabited with her; and she bore Pollux and Helen to Zeus, and Castor and Clytaemnestra to Tyndareus." (awend. Sir J. G. Frazer)
 Hyginus Fabulæ 77 will have this taking place on the Eurotas that runs through what is rightly called Laconia (Λακωνία) or Lacedaemonia (Λακεδαίμονα) - both meaning more of less meaning the "land of Lakon" -  though most English-speakers know it as Sparta from its headborough:
"Iuppiter Ledam Thestii filiam in cygnum conversus ad flumen Eurotam compressit et ex eo peperit Pollucem et Helenam, ex Tyndareo autem Castorem et Clytaemnestram."

"Zeus, shifted into the shape of a swan, lied with Leda the daughter of Thestius by the water of the Eurotas and she brought forth from him Polydeuces and Helen, but from Tyndareus Castor and Clytemnestra." (ᚷᚳ)

But this is wholly against the chronology of the Greek myth, for Tyndareus (Τυνδάρεος) was still a bachelor when he was driven out of Laconia by his younger brother Hippocoon and his sons. It was whilst he was in exile at the court of Thestius (Θέστιος) at Calydon (Καλυδών) in Aetolia (Αἰτωλία) (see Apollodor. Lib. 3.10.4-5), in a colony of Aeolian Greeks, that he wed Thestius' daughter Leda.  For he had won her hand in wedlock for his helping of Thestius against the neighbouring Curetes of Pleuron (Πλευρών) to the west.  Hyginus' Eurotas should therefore be read as the Evenus.  But it seems that the newly wed couple left Aetolia soon after their wedding for Thalamæ (Θαλάμαι or Θαλάμη)    in Messenia (Μεσσηνία) so as Castor and Polyduces and their sisters could be born on the eyot of Pephnus (see Paus. 3.1.4).  Thalamæ being a colony of folk from Boeotia who settled there when Niobe the sister of Pelops wed Amphion (Strabo Geog. 8) the brother of Zethus and who are the older Dioscuri who built the walls of seven gated Thebes in Boeotia!

Apollodorus himself only speaks of Helen as being born from an egg in his paraphrase of the lost Cypria (see below). And in the time of Pausanias (3.16.1) it is  Helen's egg that was to be seen hanging by ribbons from the roof of the temple of Hilaira and Phoebe at Sparta. 
 

But it is clear that Castor and Polyduces were also born in this egg.  Third Vatican mythographer III. De Iove (lf.173 of Angelo Maio outsetting):

"6. Habet etiam fabula, Iovem in cygnum conversum cum Leda concubuisse, eamque ex illo conceptu ovum peperisse; unde tres nati sunt, Castor scilicet et Pollux et Helena."

"It also one has a tale, that Jove changed into a swan slept with Leda, and by him she conceived and to give rise to an egg; whence three were born, namely Castor, Polyduces and Helen." 

But elsewhere we read of two eggs, thus the same mythographer under the heading  xv De Duodecim Caeli Signis (lvs.375-6 of 1831 Angelo Maio outsetting):

3 “Iuppiter concubuit cum Leda in specie cygni, ex qua genuit duo ova; et ex uno natae sunt Helena et Clytemnestra, ex alio nati sunt Pollux et Castor, qui peritissimi et probissimi imperatores fuerunt in Graecia.”

“Jupiter slept with Leda in the shape of a swan, from which were begotten two eggs; and from one was born Helen and Clytemnestra, and from the other was born Pollux and Castor, who were the most skillful and worshipful in Greece.”

The first vatican mythographer book 3, ch. 204. De genealogia deorum vel heroum. (lf. 72) says the say:

“Item concubuit cum Laeda uxore Tyndari , in specie cygni: inde duo ova nata sunt; ex quorum altero Castor et Pollux, ex alio Clytemnestra et Helena natae sunt.'”

And Leonardo da Vinci gives us a painting of this birth scene.


  
Above: Leda and the Swan  by Francesco Melzi  (1491–1568) after the lost painting by Leonardo da Vinci, 1508-1515, oil on canvas, Galleria degli Uffizi, Florence, Italy. Public Domain, https://commons.wikimedia.org/w/index.php?curid=9868495.


The hats, caps or helms that Castor and Polydeuces almost always wear, were even sometimes understood as the halves of this selfsame egg.  Thus Lycophron Alexandra lines 506-7 (awend. A. W. Mair):
 ὧν ὀστράκου στρόβιλος ἐντετμημένος
κόρσην σκεπάζει ῥῦμα φοινίου δορός.

those [wolves of Acte=Castor and Polydeuces] whose head a cloven egg-shell covers,
to guard them from the bloody spear;
And thus Tertullian tells us that eggs were the tokens of Castor and Polyduces in his De Spectaculis - On the Shows (awend. Rev. S. Thelwall) cap. 8:
 "Singula ornamenta circi singula templa sunt. Ova honori Castorum adscribunt qui illos ovo editos  credendo de cygno Iove non erubescunt. "

"Every ornament of the circus is a temple by itself. The eggs are regarded as sacred to the Castors, by men who are not ashamed to profess faith in their production from the egg of a swan, which was no other than Jupiter himself."


The egg-birth tale is also shared with the Heavenly Twins of Elis, the Molionidæ, thus  Athenæus' Deipnosophistæ 2.50 (57f - 58a) (awend. Gullick)  has a fragment of Ibycus:

    "... Ἴβυκος δὲ ἐν πέμπτῳ μελῶν περὶ Μολιονιδῶν φησι·

    [58a] Τούς τε λευκίππους κόρους
     τέκνα Μολιόνας κτάνον,
    ἅλικας, ἰσοκεφάλους, ἑνιγυίους,
    ἀμφοτέρους γεγαῶτας ἐν ὠέῳ
     ἀργυρέῳ. ...".
   
    "Ibycus, in the fifth book of his Lyrics, says of the Molionid
æ :

    ‘I [Herakles] likewise slew the white-horsed youths,
    sons of Molione, equal in age and in height,
    with their limbs joined in one, both hatched
     in a silver egg.’  ...".





Above: The Eurotas River, downstream from Mistra by Aeleftherios - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=3955019

Evinos River, Greece - View from the Bania bridge.jpg

The waters of the Evenus in Aetolia by Χρήστος Μακροζαχόπουλος, Attribution, https://commons.wikimedia.org/w/index.php?curid=2792918

 

The Orphic Egg...

 

Before going any further it is well to mark here the old scholion on Aristophanes' comedy The Birds.    In this play Aristophanes has set out a bit of an Orphic creation myth lines 695 to 697 where a wind-egg is marked.  The lines about this egg then raises the following comment from the scholiast on line 695:

" τίκτει πρώτιστον ὑπηνέμιον […ᾠόν ]: ὑπηνέμια καλεῖται τὰ δίχα συνουσίας καὶ μίξεως. καὶ τοῦτο δὲ οὐχ ὡς ἔτυχεν αὐτῷ προσέρριπται, ἀλλ’ ἀπὸ ἱστορίας τῆς κατὰ τοὺς Διοσκούρουs·  φασὶ γὰρ αυτούς ἐξ ῷοῦ γεγονέναι."

"  “ laid a wind-egg”: they call a  “wind-egg” those [made] without coupling and sexual intercourse. And certainly not that it [wind] happens to be added to it,  others [say] from the history concerning the Dioscuri.   For they say that they were born from an egg."(ᚷᚳ)

I wholly overgo here the whisper that Castor and Polydeuces might be the outcome of a "virgin-birth" for someone else to follow up if they will.  But I will draw the reader's thoughts to the idea that that the egg or eggs from which the Dioscuri and their sisters are born, may well have something to do with the egg of the Orphic teachings, though the scholiast doesn't specifically say as much. 

When it comes to write about Helen's birth, Apollodorus' Bibliotheca 3.10.7 paraphrases a more or less lost pœm called the Cypria.  But as luck would have it, Athenæus has written down a good bit of what we need from this pœm in the eighth book of his Deipnosophistæ 344c-d:
 
Τοὺς δὲ μέτα τριτάτην Ἑλένην τέκε, θαῦμα βροτοῖσι·
τήν ποτε καλλίκομος Νέμεσις φιλότητι μιγεῖσα
Ζηνὶ θεῶν βασιλῆι τέκεν κρατερῆς ὑπ´ ἀνάγκης.
Φεῦγε γὰρ οὐδ´ ἔθελεν μιχθήμεναι ἐν φιλότητι
[334d] πατρὶ Διὶ Κρονίωνι· ἐτείρετο γὰρ φρένας αἰδοῖ
καὶ νεμέσει· κατὰ γῆν δὲ καὶ ἀτρύγετον μέλαν ὕδωρ
φεῦγεν, Ζεὺς δ´ ἐδίωκε· λαβεῖν δ´ ἐλιλαίετο θυμῷ
ἄλλοτε μὲν κατὰ κῦμα πολυφλοίσβοιο θαλάσσης
ἰχθύι εἰδομένην, πόντον πολὺν ἐξορόθυνεν,
ἄλλοτ´ ἀν´ Ὠκεανὸν ποταμὸν καὶ πείρατα γαίης,
ἄλλοτ´ ἀν´ ἤπειρον πολυβώλακα. Γίγνετο δ´ αἰεὶ
θηρί´ ὅς´ ἤπειρος αἰνὰ τρέφει, ὄφρα φύγοι νιν.

And which Evelyn-White has awent for us thus:

 Rich-haired Nemesis gave birth to her (Helen) when she had been joined in love with Zeus the king of the gods by harsh violence. For Nemesis tried to escape him and liked not to lie in love with her father Zeus the son of Cronus; for shame and indignation vexed her heart: therefore she fled him over the land and fruitless dark sea. But Zeus ever pursued and longed in his heart to catch her. Now she took the form of a fish and sped over the waves of the loud-roaring sea, and now over Oceanus' stream and the furthest bounds of Earth, and now she sped over the furrowed land, always turning into such dread creatures as the dry land nurtures, that she might escape him.

Now what we have turned up here is something utterly unlooked for.     It is nothing other than the tale of Prajapati begetting the animals, with Zeus for Prajapati, and which we may read in the Bṛhadāraṇyaka Upaniṣad 1.4.3-4, although it is widely alluded to elsewhere in the East, and which lived on in the British Isles to give rise to, among other things, the ballad called the "Twa Magicians" (Roud 1350, Child 44).  Although to be fair, in the East the egg is what Prajapati himself is born from (see Śatapatha Brāhmaṇa 11.1.6 1-2) rather than something which he himself begets. 

  Macrobius Saturnalia book 7 chapitle 16, §8
Et, ne videar plus nimio extulisse ovum elementi vocabulo, consule initiatos sacris Liberi patris: in quibus hac veneratione ovum colitur, ut ex forma tereti ac paene sphaerali atque undique versum clausa et includente intra se vitam mundi simulachrum vocetur: ...

And so that I do not seem to you to have raised the condition of the egg, by naming it an element, consult the initiates in the mysteries of Liber Pater, in which the egg is honoured with so much worship, as made of a rounded and almost spherical shape, which by being shut up to conceal, and by enclosing life in itself, is called a likeness of the universe.  (ᚷᚳ)

Liber Pater - if anyone doesn't know - is the Latin name for the god Dionysus.  Now the followers of Orpheus were great worshippers of Dionysus, and this is worth keeping in mind for what comes next.
And Orpheus' death on the earthly plane so to speak, matches Dionysus' "death" on the cosmic plane.  Thus Proclus, Commentary on Plato's Republic 398 (awend. R. Eisler):
“ἀλλ’ Ὀρφεὺς μὲν ἅτε τῶν Διονύσου τελετῶν ἡγεμὼν γενόμενος τὰ ὅμοια παθεῖν ὑπὸ τῶν μύθων εἴρηται τῷ σφετέρῳ θεῷ (καὶ γὰρ ὁ σπαραγμὸς τῶν Διονυσιακῶν ἕν ἐστιν συνθημάτων), …”.
"Orpheus, as the founder of the Dionysiac mysteries, is said in the myths to have suffered the same fate as the god himself; and the tearing in pieces is one of the Dionysiac rites.”

Apollodorus Library 1.3.2 (awend. Sir J. Frazer):
εὗρε δὲ Ὀρφεὺς καὶ τὰ Διονύσου μυστήρια, καὶ τέθαπται περὶ τὴν Πιερίαν διασπασθεὶς ὑπὸ τῶν μαινάδων.

Orpheus also invented the mysteries of Dionysus, and having been torn in pieces by the Maenads he is buried in Pieria.

Most of the Orphic writings are lost but we have a few scraps, some dug up by the archæologist, some quoted by other writers, and all helped out by paraphrases of what they were meant to believe.  But here we are only worried about this egg of theirs.  Damascius (Δαμάσκιος) gives us a line or so of an Orphic writ in his  Difficulties and Solutions of First Principles (ἀπορίαn καὶ λύσεις περὶ τῶν πρώτων ἀρχῶν):
ἔπειτα δ’ἔτευξε μέγας Χρόνος αἰθέρι δίῳ ὠεὸν ἀργύφεον.

Then great Time brought out from   the god Aither a bright-white egg.


As to what happens next, we have to hope the later Christian writer Athenagoras  has got it something like right when he writes, swapping Heracles for Time:
 οὗτος ὁ Ἡρακλῆς ἐγέννησεν ὑπερμέγεθες ᾠόν, ὃ … εἰς δύο ἐρράγη. τὸ μὲν οὖν κατὰ κορυφὴν αὐτοῦ Οὐρανὸς εἶναι ἐτελέσθη, τὸ δὲ κάτω ἐνεχθὲν Γῆ· προῆλθε δὲ καὶ θεὸς τρίτος δισώματος.

This Heracles brought forth an over-great egg, which … broke into two.  From the top (κορυφὴν)  of it heaven was fulfilled, and in the  lower earth was brought forth. And a third, twy-bodied god came forth.

 Now the "twy-bodied god" (θεὸς... δισώματος) is mostly given the name of Phanes (Φάνης) by those who have written about him, yet from the scraps of the Orphic writings themselves, this is little more than one of a number of titles bestowed upon the egg-born god.   I mark here from an Orphic hymn (6) the "egg-born" (ὠογενῆ→"ὤιογενῆς") god is named, among other things, the "first-born" (Πρωτόγονον→"πρωτόγονος") and is said to be "of two-kinds" (διφυῆ→ "διφυής"- this can be either of two sexes or two kinds of living beings).

Many of those who have written about Phanes then like to say that in the East, the god Prajapati is also born from an egg, and, in the Atharva Veda book 19, hymn 53,§8, this same Prajapati is also said to be the son of Time (Kāla).  And  although a good deal more is said about Prajapati by the India-folk over and above what we find said of Phanes in the West, yet I think we can still see, through all,  to a point where at one time where both these two gods, Phanes and Prajapati, were indeed a match for one another.

 

Who truly is the "twy-bodied god" (θεὸς... δισώματος) in the egg?


From the scrap of Orphic theology that Aristophanes has borrowed for his play The Birds,  it would seem  Phanes is there understood under  the name of Eros "Love", and in the Orphic hymn to Eros (57), I mark that Eros also is said to be "of two kinds" (διφυῆ→ "διφυής").  But among mankind we see that love everywhere makes one out of two (or more) does it not?  More telling may be Eros' wings and that Aristophanes has him as the father of the birds, for birds lead us upward.

More clues can be gathered from who the three other times  in the well-known Orphic hymn corpus where this self same word "of two kinds" (διφυῆ→ "διφυής") is found.   For they are to be found in the main hymn to Dionysus (29) - where he is also called "twy-shaped" (δίμορφον), and, tellingly, "first-born" (Πρωτόγονον).  In the hymn to Corybas (38) who is a "swift-shape-shifting king" (αἰολόμορφον ἄνακτα) and "many shaped" (πολύμορφον).  And in the hymn to Misa (Μίση - 41) where Iacchus is "male and female, of two kinds" (ἄρσενα καὶ θῆλυν, διφυῆ).  Now Iacchus is widely evened with Dionysus.  What is said of Corybas could fit Dionysus as well, and to say that Corybas and Dionysus are likely to be one and the same is not to say that much.  But the epithet of "first born"  being shared by both Dionysus and Phanes in their Orphic hymns allows us to be a bit bolder than most here and say that Phanes must be Dionysus.  And we should call to mind that these are Orphic hymns, and Orpheus was a great worshipper of Dionysus.

But is this our answer? Almost.  Phanes is indeed only a title of Dionysus in an Orphic verse to be found in Macrobius's Saturnalia book 1 chapitle 18:
“[12] Orpheus quoque solem volens intellegi ait inter cetera:

Τήκων αἰυέρα δι᾽ ὃν, άκίνητον πρὶν ἐοντα, 
ἐξανέφηνε θεοῖσιν ὁρᾶν κάλλιστον ίδέσθαι,
ὃν δὴ νῦν καλέουσι Φάνητά τε καὶ Διόνυσον
Εὐβουλῆα τ᾽ ἄνακτα καὶ Ἀνταύγην ἀρίδηλον·
ἄλλοι δ᾽ ἄλλο καλοῦσιν ἐπιχθονίων ἀνθρώπων.
Πρῶτος δ᾽ ἐς φάος ἤλθε, Διόνυσος δ᾽ ἐπεκλήθη,
οὗνεκα δινεῖται κατ᾽ ἀπείρονα μακρὸν Ὄλυμπον·
ἀλλαχθεὶς δ᾽ ὄνομ᾽ ἔσχε, προσωνυμίας πρὸς ἕκαστον
παντοδαπὰς κατὰ καιρὸν, ἀμειβομένοιο χρόνοιο.

“[13] Φάνητα dixit solem ἀπὸ τοῦ φῶτὸς καὶ φανεροῦ, id est a lumine atque inluminatione, quia cunctis visitur cuncta conspiciens: ...”.

Also Orpheus says among other things, wishing the sun to be understood :

... for which, dissolving the ether,  that aforetime was without motion,
he brought up and showed forth to the gods the fairest thing to be seen;
him, whom now men call Phanes and Dionysus
and king Eubouleus and far seen Antauges -
some of earthly men call him this, others that.
but he  came first to light,  and was afternamed Dionysus
wherefore he whirls through endless-great Olympus
changing the name he had,  each one of the names according to
every season of changing time.

He called the sun Phanes from light and lightening for the  all-seeing sun is seen by all.”
But with this verse of course we also see now that by Dionysus-Phanes, Orpheus truly means the sun!  And what else other than the sun was Athenogoras' "twy-bodied god" all along seeing it is  born out of  an egg, the upper half of which becomes the dome of the heavens and the lower half the earth. But isn't the sun Apollo not Dionysus?  Well there were those of old who understood Apollo and Dionysus as the selfsame god, notwithstanding that they are in many ways wholly witherward to each other, thus  Dion Chrysostomos, when speaking to the folk of Rhodes (31), sayeth [awend. A. B. Cook]:

“ ... καίτοι τὸν μὲν Ἀπόλλω καὶ τὸν Ἥλιον καὶ τὸν Διόνυσον ἔνιοί φασιν εἶναι τὸν αὐτόν, καὶ ὑμεῖς οὕτω νομίζετε,...”

“Yet some maintain that Apollon, Helios, and Dionysos are all one and the same; and that is your own accepted view.”

That is Apollo, the sun and Dionysus.  See also Servius' commentary on Vergil's Æneid. 3. 93, and his commentary on Vergil's Eclogues 5.66.  And that this is how we should mainly undrstand Phanes the egg-born go can be gathered from Macrobius' Saturnalia  book 1 chapitle 18, §34 in a run through of the bynames of Apollo:
" Item Φάνητα appellant ἀπὸ τοῦ φαίνειν: ..."

"Also, they call him Phanes from phainein "to shine forth"...".

 Any Finns reading all this might well be laughing their arses off here for they have long known this.  Thus in the Kalevala we may read (awend. J. M. Crawford):
From one half the egg, the lower,
Grows the nether vault of Terra:
From the upper half remaining,
Grows the upper vault of Heaven;
From the white part come the moonbeams,
From the yellow part the sunshine,
From the motley part the starlight,
From the dark part grows the cloudage;
And the days speed onward swiftly,
Quickly do the years fly over,
From the shining of the new sun
From the lighting of the full moon.




But what about Prajapati?  As luck would have it, the Chāndogya Upaniṣad 3.19 still has the early shape of the egg-born god myth for us in the East (awend. P. Olivelle):
asad evedam agra āsīt | tat sad āsīt | tat samabhavat | tad āṇḍaṃ niravartata | tat saṃvatsarasya mātrām aśayata | tan nirabhidyata | te āṇḍakapāle rajataṃ ca suvarṇaṃ cābhavatām || 
 ||tad yad rajataṃ seyaṃ pṛthivī | yat suvarṇaṃ sā dyauḥ | yaj jarāyu te parvatāḥ | yad ulbaṃ (sa) samegho nīhāraḥ | yā dhamanayas tā nadyaḥ | yad vāsteyam udakaṃ sa samudraḥ || 
atha yat tad ajāyata so 'sāv ādityaḥ |  taṃ jāyamānaṃ ghoṣā ulūlavo 'nūdatiṣṭhant sarvāṇi ca bhūtāni sarve ca kāmāḥ | tasmāt tasyodayaṃ prati pratyāyanaṃ prati ghoṣā ulūlavo 'nūttiṣṭhanti sarvāṇi ca bhūtāni sarve ca kāmāḥ || 

1. ...In the beginning this world was simply what is nonexisting; and what is existing was that. It then developed and formed into an egg. It lay there for a full year and then it hatched, splitting in two, one half becoming silver and the other half gold.
2 The silver half is this earth, while the golden half is the sky. The outer membrane is the mountains; the inner membrane, the clouds and the mist; the veins, the rivers; and the amniotic fluid, the ocean.
3 Now, the hatchling that was born was the sun (ādityaḥ - son of Aditi) up there. And as it was being born, cries of joy and loud cheers rose up in celebration, as did all beings and all desires. Therefore, every time the sun rises and every time it returns, cries of joy and loud cheers rise up in celebration, as do all beings and all their hopes.
And this shows us that the roots of Prajapati as an egg-born god, must be, when all is said and done, are only as another sun-god, and we call to mind here Ṛgvedaḥ 4, 53, 2  that Prajapati is only a title of Savitṛi ("divo dharttā bhuvanasya prajāpatiḥ" "the supporter of the sky, of being, the lord of creatures" - see  Taittirīya Brāhmaṇa, 1. 6, 4, 1 & Śatapatha Brāhmaṇa 12:3:5:1 where Prajapati is said to be the same as Savitṛi), who is widely, if not always, to be understood as only another name for the sun. 


 

And the one becomes two


 
 
But before we get too happy with ourselves, haven't we forgotten that the egg-born god is "twy-bodied"?  But this now almost answers itself doesn't it?   Macrobius again, th'ilk Book 1, ch.17, §64 (awend. P. V. Davies):
“ἀπόλλωνα Διδυμαῖον vocant, quod geminam speciem sui numinis praefert ipse inluminando formandoque lunam: etenim ex uno fonte lucis gemino sidere spatia diei et noctis inlustrat: unde et Romani solem sub nomine et specie Iani Didymaei Apollinis appellatione venerantur.”

 “Men call Apollo "the Twin God" (Διδυμαῖος) because he presents a twin form of his own divinity, by himself giving light and shape to the moon, for, as a twofold star giving light from a single source, he illumines the periods of day and night.  And this too is the reason why the Romans worship the sun under the name and form of Janus, with the style of Didymæan Apollo.”
That is Apollo and his twin sister Artemis, whom the Romans called Diana, and were commonly understood as the sun and moon.  And we may also see here that the erstwhile "floating-island" of Delos wherein Apollo and Artemis are said to have been born, is no more than a misunderstanding of our world-egg which at times is said to be floating on the primordial waters.  The verb δηλοῦν moreover, from which Delos is meant to stem, is almost a synonym for φαίνειν.
 

 And this also outfolds Ṛgvedaḥ 9, 5, 9 where Soma is called Prajapati. Soma is the moon-god in the East, or blended with him, and so, as a god stemming from the other half of Prajapati, he is a Prajapati too.  Albeit with Soma this is meant more by way of reflection, as the moon only reflects the sun's light.   If we stop and look about us a while here,  I think we can now see a few helpful things.  Prajapati, although it would that he was often understood only as his own active solar or fiery side, he is truly a god like the Romans' Janus wherein the two halves or sides of the god are still together and undivided.  Whence the likenesses of Prajapati under the name of Brahma are seen to match those of the Romans' Janus; the four faces only being a doubling up of the two to emphasise the inherant duality of all things.   

 

Prajapati's  two halves were understood in many ways.  Often much is inferred rather than spelled out for us, but toward the beginning of the Laws of Manu 1.32, we get this said of the egg-born (see 1.9) god (awend. J. Muir) :
dvidhā kṛtvātmano deham ardhena puruṣo 'bhavat /
ardhena nārī...

 " Dividing his own body into two, became with the half a man, and with the half a woman; ...".
The sun and moon might well be meant but understood more stavely we have the first man and woman whether understood as Yama and Yamī  or maybe Manu and his unnamed wife whom Yāska brings into relationship with the Aśvinau in his birth tale of all three  in his Nirukta Ch. 12. 10 (which we have already marked [here]).  However, Yāska makes these the children of Vivasvat that is of the sun, by one Saraṇyū (Manu by her likeness Savarṇī), but it would seem that Prajapati/Savitṛi is to be understood for Vivasvat.  And the tale of a father begetting a son/daughter has been brought in here only as another way to outfold what is truly nothing more than the splitting of Prajapati himself into two.  That is, son and daughter (or son and son in the case of the Aśvinau) are only the two halves of the father once they are considered as wholly sundered from eachother.  If we think that Apollo and Artemis are for the sun and moon then our Heavenly Twins must be the same and in Yāska's list of what the Aśvināu might be thought to be in his Nirukta Ch. 12, 1 [here] he does indeed have "sūryā.candramasā" "sun and moon" but these are two gods in India rather than a god and a goddess like they are in the West.   And to show how these two pairs of twins are essentially the same in the West we find that Leda the mother of Castor and Polydeuces, and Leto (the Romans' Latona) the mother of Apollo and Artemis actually  have different spellings of the same name which is from the Lydian word "lada" meaning wife.   But we have overlooked that the Heavenly Twins themselves have two sisters who are truly their own other halves. And  in short Apollo and Artemis are simply a reduction to one pair of the two pairs that are Castor and Polydeuces and  their sisters Helen and Clytemnestra.   We might then think of Castor and Polydeuces as two sun gods and Helen and Clytemnestra as two moon goddesses.   Macrobius gives us a solar meaning for Castor and Polydeuces in his Saturnalia Book 1, ch.21 §22 (awend. P.V. Davies):
“Gemini autem, qui alternis mortibus vivere creduntur, quid aliud nisi solem unum eundemque significant modo descendentem in ima mundi modo mundi in summam altitudinem resurgentem?”

“ The Twins, who are believed to die and to come to life again in turn, surely represent the sun which, ever one and the same, now descends to the lowest parts of the world and now rises again to the highest.”
But among their sisters we find that Helen has such a solar meaning and indeed stands in the stead of a sun goddess elsewhere that she at least can't be written off as a moon goddess.  But we shouldn't get ourselves too worried about the genders here as Proclus tells us in his Commentary on the Timæus of Plato Book I (awending Thomas Taylor):
“ἐν μὲν γὰρ θεοῖς οὕτω ταῦτα συμπέφυχεν ἀλλήλοις, ὥστε καὶ ἀῤῥενόθηλον ἀποκαλεῖσθαι τὸν αὐτὸν, καθάπερ Ἥλιον καὶ Ἑρμῆν καὶ ἄλλους τινὰς θεούς.”

“For in the gods, indeed, these are so connascent with each other, that the same divinity is called both male and female, as is the case with Sun and Mercury, and certain other gods.”
So sometimes we have sun gods at other times sun goddesses, sometimes moon gods and other times moon goddesses.  But we are truly talking  universal principles here.    From an earlier post ([here] where I discuss Yāska’s Nirukta Ch. 7, 5 and the Bṛhaddevatā of Shaunaka bk. 1, ch.14,   §69) we know that the sun is only the heavenly shape taken upon itself by the primordial Agni.  And from this we can see at once that the sun and the moon are truly only for the universal principles that underlie them and with which they are often blended: Agni and Soma. Thus Śatapatha Brāhmaṇa 10:4:2:1:
 saṃvatsaro vai prajāpatiragniḥ somo rājā candramāḥ
Verily, Pragâpati, the year, is Agni, and King Soma, the moon.

 

day and night and the world halves?

 
 
That Prajapati is said to be the father of both the gods (devāḥ) and the so-called "demons" (asurāḥ) (as in Bṛhadāraṇyaka Upaniṣad 1.3.1 - these last being the eldest of the two),  is a markworthy outgrowth from the foregoing tale.  And we should know that the gods are always linked to day and light and the "demons" to night and darkness.   But in India a day and night of the gods is what we call a "year" thus the Laws of Manu 1.67 (awend. M. Müller):
 daive rātryahanī varṣaṃ pravibhāgas tayoḥ punaḥ /
ahas tatrodagayanaṃ rātriḥ syād dakṣiṇāyanam // 


A year is a day and a night of the gods ; their division is (as follows) : the half year during which the sun progresses to the north will be the day, that during which it goes southwards the night.
(And whence Prajapati, the father of gods and "demons", that is of day and night so to speak,  is often spoken of crypticly as "the year" as at Śatapatha Brāhmaṇa 10:4:2:1).

But all this then allows us to see where the Parsees are also coming from in making Zurvan (Time - there are sometimes two gods with this name, a greater and a lesser) the father of the good and light Ohrmuzd and the evil and dark Ahriman.  That the Greeks linked Ohrmazd to Zeus and Ahriman to Hades or Pluto is also worth bearing in mind here. And that Porphyry tells us:
 "Πλούτων δὲ ὁ Κόρης ἅρπαξ κυνῆν μὲν ἔχει τοῦ ἀφανοῦς πόλου σύμβολον, τὸ δὲ σκῆπτρον τὸ κολοβὸν σημεῖον τῆς τῶν κάτω βασιλείας· ..."

"But Pluto, the ravisher of Koré, has a helmet as a symbol of the unseen pole, and his shortened sceptre as an emblem of his kingdom of the nether world; ..." (awend. E. H. Gifford).
So Hades or Pluto was sometimes thought of a god of the southern hemisphere wherein the sun (Koré, otherwise Persephone) is through the darker-half of the year.  And if Hades is to be so thought of, what hinders his brother Zeus being thought of  as a god of the northern hemisphere, the seen pole,  wherein the sun is through the lighter half of the year?
 
Yāska's list of what the Aśvināu might be thought to be in his Nirukta Ch. 12, 1 has "ahorātrāv" "day and night" and "dyāvā.pṛthivī" "heaven and earth" which last may be understood as the two halves of a world-egg.  "heaven and earth" was the old way of understanding the two hemispheres about which all of space may be divided about our earth.



 Looking to the halves of the egg which the Heavenly Twins where as caps it becomes likely that we should understand the Heavenly Twins, not as the sun but as the world halves born at the same time.



Sextus Empiricus Adversus Mathematicos 9.37 (awend. A. B. Cook)

    “καὶ τοὺς Τυνδαρίδας δέ φασι τὴν τῶν Διοσκούρων δόξαν ὑπελθεῖν πόλιν νομιζομένων εἶναι θεῶν· τὰ γὰρ δύο ἡμισφαίρια, τό τε ὑπὲρ γῆν καὶ τὸ ὑπὸ γῆν, Διοσκούρους οἱ σοφοὶ τῶν τότε ἀνθρώπων ἔλεγον. διὸ καὶ ὁ ποιητὴς τοῦτο αἰνιττόμενός φησιν ἐπ’ αὐτῶν

    ἄλλοτε μὲν ζώουσ’ ἑτερήμεροι, ἄλλοτε δ’ αὖτε
    τεθνᾶσιν, τιμὴν δὲ λελόγχασιν ἶσα θεοῖσιν.  (Od. 11. 303f.)

    πίλους τ’ ἐπιτιθέασιν αὐτοῖς, καὶ ἐπὶ τούτοις ἀστέρας, αἰνισσόμενοι τὴν τῶν ἡμισφαιρίων κατασκευήν."

    " Moreover, they say that the Tyndaridai usurped the reputation of the Dioskouroi, who were thought to be gods. For in those days wise folk spoke of the two hemispheres, the one above the earth and the other below it, as Dioskouroi.  Wherefore also the poet, hinting at this, says of them :

    One day they are alive, the next day dead
    In alternation, honoured like to gods.

    And men put piloi on their heads with stars atop, hinting at the arrangement of the hemispheres."


Martianus Capella Wedding of Mercury... I. 82-83:
    “Dehinc admissi Tonantis ipsius filii. … Post hos duorum una quidem germanaque facies; sed alius lucis sidere, opacae noctis alius refulgebat.

    “Then the sons of the Thundering One himself were let in …/ And after these came two brothers with the same anseens (=faces)-but one seated himself shining with light; the other darkened by night.”



And the one becomes three



   Damascius tells us that under the name of Phanes we should understand a "threefold god" ("τρίμορφον θεὸν"):
“τὴν δὲ τρίτην τὸν Μῆτιν ὡς νοῦν, τὸν Ἠρικεπαῖον ὡς δύναμιν, τὸν Φάνητα αὐτὸν ὡς πατέρα”
“in the third triad, Metis as intellect, Erikepaios as power, and Phanes himself as father”.

Metis? Proclus at least gives us an odd bit of Orpheus where Phanes and Metis are the same:
 πρῶτον δαίμονα σεμνόν
Μῆτιν σπέρμα φέροντα θεῶν κλυτόν, ὅν τε Φάνητα
πρωτόγονον μάκαρες κάλεον κατὰ μακρὸν Ὄλυμπον.

First the holy dæmon
Metis bearing the far-known seed of the gods, that also Phanes
first-born the blessed call throughout great Olympus.

So, if you put all this together then, you will see that although Phanes is often thought of as only one godhead, it turns out that nothing truly hinders him being thought at the same time  as three gods or rather two gods (Phanes and Erikepæus) and a goddess Metis.  If I tell you that Metis means "Wisdom" I hope that things will start to fall into place for you, for she is the sun-goddess who is mother and sister of the twins.  And with Phanes and Erikepæus, here both understood to be wholly gods, we have the beginning of the egg-born Heavenly Twins: Castor and Polydeuces! 

As luck would have it, we have a wonderful way to more or less prove this is right.  The Greeks had this little saying "Πάντα ὀκτώ" "eight is all" but they understood this in many ways.  Now Theon of Smyrna has a saying of Orpheus to outfold this which runs:
 ναὶ μὴν ἀθανάτων γεννήτορας αἰὲν ὲόντων
πῦρ καὶ ὕδωρ, γαῖάν, οὐρανὸν  ὴδὲ σελήνην,
ἠέλιόν τε φανῆ τε μέγαν καὶ νύκτα μέλαιναν.

 By the creators of things ever immortal,
Fire and water, earth and heaven, moon,
And sun, the great Phanes and the dark night.

But Zenobius the sophist has:
Πάντα ὀκτώ: ἔφη ὀκτὼ τοὺς πάντων εἶναι κρατοῦντας θεοὺς,  Πῦρ, Ὕδωρ, Γῆν, Οὐρανὸν, Σελήνην, Ἥλιον, Μίθραν, Νύκτα.

Evander said that the gods who rule over everything are eight: Fire, Water, Earth, Heaven, Moon, Sun, Mithras, Night.

Spot the difference?  So Mithras is the same as Phanes!  Now this goes a long way to outfolding why Mithras at Housesteads is being shown born from an egg instead of his more wanted rock.


 


Above: the unmended image of Mithras being born from an egg,  as it was found between two altars at Housesteads.  From Observations on the Roman Station of Housesteads, and on some Mithraic Antiquities discovered there, in a Letter from the Rev. J. Hodgson to the Rev. A. Hedley of Newcastle upon Tyne dated 22nd. Nov, 1822, in Archaeologia Aeliana, Or, Miscellaneous Tracts Relating to Antiquity, Volume 1 of the Society of Antiquaries of Newcastle upon Tyne between lvs. 264 and 265.  Mark that the zodiac is in a Greek letter Ω (omega), the first letter of ᾠόν “egg”, ὤιον in the Æolian dialect, not far off the sound of αἰών  æon, and that omega is also the first letter of  Ὠκεᾰνός Oceanus which Zosimus links to Χρόνος/Κρόνος Chronus/Cronus.  And also that the zodiac is arranged with the winter signs ruled by Saturn, Aquarius and Capricorn at the bottom, and the summer signs, ruled by the sun and moon, Leo (cracked) and Cancer (missing) at the top, so dark/heavy to light, south to north, and along the axis of the gates of the gods (Capricorn) and of men (Cancer) in Porphyry's On the Homeric Cave of the Nymphs.


 Mithras also is a threefold god thus (as I marked in an earlier post [here]) we find the "threefold Mithras"  in a letter said to have been written by Dionysius the Areopagite:

 "μάγοι τὰ μνημόσυνα τοῦ τριπλασίου Μίθρου τελοῦσιν"
"Magi celebrate the memorials of the threefold Mithras." [here]


The threefold Mithras being understood as Mithras himself and the twin-like Cautes and Cautopates who are often shown alongside him.  Again, as I said in another earlier post [here], it would seem that sometimes the myth was told where the third god is left out, or at least unmarked, and only two gods, even twins (not unlike Cautes and Cautopates) are thought of.  And this it seems is what we have with the myth of the birth of Castor and Polydeuces. But it is more likely their sisters are for a sun goddess and that Mithras is in their stead whence the odd words of Herodotus in his Histories 1.131.3 about Mithras :

... καλέουσι δὲ Ἀσσύριοι τὴν Ἀφροδίτην Μύλιττα, Ἀράβιοι δὲ Ἀλιλάτ, Πέρσαι δὲ Μίτραν.
... and the Assyrians call Aphrodite Mylitta, the Arabians Alitta, and the Persians Mitra.





Some further things to mark 


The Jaiminīya Brāhmaṇa, 3.14 Prajapati is said to take  the shape of a horse to create the creatures (prajāpati prajā asṛjata/ tā āśvenaivāśvo bhūtvāsjata/). The Śatapatha Brāhmaṇa 8.2.2.7 would seem to make Prajapati the father of the Aśvinau:

"yadveva vaiśvadevīrupadadhāti | etadvai prajāpatiretasminnātmanaḥ pratihite
'kāmayata prajāḥ sṛjeya prajāyeyeti sa ṛtubhiradbhiḥ prāṇaiḥ saṃvatsareṇāśvibhyāṃ
sayugbhūtvaitāḥ prajāḥ prājanayattathaivaitadyajamāna etābhirdevatābhiḥ
sayugbhūtvaitāḥ prajāḥ prajanayati tasmādu sarvāsveva sajūḥ-sajūrityanuvartate"

"And, again, as to why he lays down the Vaisvadevî (bricks). At that time, when that (part) of his body had been restored, Pragâpati desired, 'May I create creatures, may I be reproduced!' Having entered into union with the seasons, the waters, the vital airs, the year, and the Asvins, he produced these creatures; and in like manner does this Sacrificer, by entering into union with those deities, now produce these creatures. Hence with all (of these bricks, the word) sagush ('in union with') recurs." (awend. Eggeling)

And 11.1.6.2 shows us where the floating island idea comes from:

" tataḥ saṃvatsare puruṣaḥ samabhavat sa prajāpatistasmādu saṃvatsara eva strī vā
gaurvā vaḍabā vā vijāyate saṃvatsare hi prajāpatirajāyata sa idaṃ hiraṇmayamāṇḍaṃ
vyarujannāha tarhi kā cana pratiṣṭhāsa tadenamidameva hiraṇmayamāṇḍaṃ
yāvatsaṃvatsarasya velāsīttāvadbibhratparyaplavata"

" In a year's time a man, this Pragâpati, was produced therefrom; and hence a woman, a cow, or a mare brings forth within the space of a year; for Pragâpati was born in a year. He broke open this golden egg. There was then, indeed, no resting-place: only this golden egg, bearing him, floated about for as long as the space of a year." (awend. Eggeling)

That is, it is the bottom half of the egg-shell, here understood as the earth herself.

Prajapati's weakness from having expended himself in the creation of the universe is made good by the and as Prajapati is the first man we can see here that we have our  ἀρχανθρωπος = Dionysus, and his (half-)brothers the Cabeiri who healed him. Śatapatha Brāhmaṇa 8.2.1. 11-14:

[11] yadvevaitā āśvinīrupadadhāti | prajāpatiṃ visrastaṃ devatā ādāya vyudakrāmaṃstasya
yadūrdhvam pratiṣṭhāyā avācīnam madhyāttadasyāśvināvādāyotkramyātiṣṭhatām
[12]tāvabravīt | upa metam prati ma etaddhattaṃ yena me yuvamuda !kramiṣṭamiti kiṃ
nau tato bhaviṣyatīti yuvaddevatyameva ma etadātmano bhaviṣyatīti tatheti
tadasminnetadaśvinau pratyadhattām
[13] tadyā etāḥ pañcāśvinyaḥ | etadasya tadātmanastadyadetā atropadadhāti yadevāsyaitā
ātmanastadasminnetatpratidadhāti tasmādetā atropadadhāti
[14] dhruvakṣitirdhruvayonirdhruvāsīti | yadvai sthiraṃ yatpratiṣṭhitaṃ taddhruvamatha
vā asyaitadasthiramivādhruvamivātmana āsīttadevaitatsthiraṃ dhruvaṃ kṛtvā

"11. Now as to why he lays down these Âsvinî (bricks). When Pragâpati had become relaxed (disjointed), the deities took him and went away in different directions. Now what part of him there was above the feet and below the waist, that part of him the two Asvins took and kept going away from him.

12. He said to them, 'Come to me and restore unto me that wherewith ye have gone away from me!'--'What will accrue to us therefrom?'--'That part of my body shall be sacred unto you!'--'So be it!' so the Asvins restored that (part) unto him.

13. Now these five Âsvinî (bricks) are that same (part) of his (Agni's) body; and when he now puts them into this (layer of the altar), he thereby restores to him what (part) of his body these (bricks) are: that is why he puts them into this (layer).

14. 'Thou art firmly founded, firmly seated, firm,' he says, for whatsoever is steady and established that is firm. Now that part of his (Pragâpati-Agni's) body was, as it were, unsteady, unfirm; and having made it steady and firm they (the Asvins) restored it to him." (awend. Eggeling)

 7.4.1.15 -16:

[15] atha puruṣamupadadhāti | sa prajāpatiḥ so 'gniḥ sa yajamānaḥ sa hiraṇmayo bhavati
jyotirvai hiraṇyaṃ jyotiragniramṛtaṃ hiraṇyamamṛtamagniḥ puruṣo bhavati puruṣo
hi prajāpatiḥ

[16] yadveva puruṣamupadadhāti | prajāpatervisrastādramyā tanūrmadhyata
udakrāmattasyāmenamutkāntāyāṃ devā ajahustaṃ yatra devāḥ
samaskurvaṃstadasminnetāṃ ramyāṃ tanūm madhyato 'dadhustasyāmasya devā
aramanta tadyadasyaitasyāṃ ramyāyāṃ tanvāṃ devā aramanta tasmāddhiramyaṃ
hiramyaṃ ha vai taddhiraṇyamityācakṣate paro 'kṣam paro 'kṣakāmā hi
devāstathaivāsminnayametāṃ ramyāṃ tanūm madhyato dadhāti tasyāmasya devā
ramante prāṇo vā asya sā ramyā tanūḥ prāṇamevāsminnetam madhyato dadhāti

15. He then lays the (gold) man thereon,--he is Pragâpati, he is Agni, he is the Sacrificer. He is made of gold, for gold is light, and fire is light; gold is immortality, and fire is immortality. It is a man (purusha), for Pragâpati is the Man.

16. And, again, why he lays down the man. When Pragâpati was relaxed, his pleasing form went out from within; when it had gone out of him, the gods left him. When the gods restored him, they put that pleasing form into him, and the gods were pleased with that (form) of his; and inasmuch as the gods were pleased (ram) with that pleasing (ramya) form of his, it is called 'hiramya;' 'hiramya' being what is mystically called 'hiranya' (gold), for the gods love the mystic. And in like manner does this (Sacrificer) now put that pleasing form into him (Agni), and the gods are pleased with that (form) of his. But that pleasing form of his is the vital air: it is that vital air he thus puts into him.

(awend. Eggeling)

 

Among other considerations the swan and the horse seem to have been chosen by the Greeks as the foremost tokenings of the Dioscuri as bearing witnes to a Hyperborean beginning to things.  The swan is a migratory bird spending half the year in the far north and the other half further south.  They were deemed to be sacred to Apollo Archigetes as the lord of Hyperborea for the same reason.  Whilst the horse points to that blending of Hyperborea and Scythia which caused Hesiod to speak of the "well-horsed Hyperboreans" (Ὑπερβορέων εὐίππων) as we marked in an earlier post [here].

 

 

Farewell.



Saturday 29 August 2020

The Heavenly Twins at the Middle of the World 2 Trees and Doors

 

« revenir au centre, par la restauration de l’« état primordial », et atteindre l’« Arbre de Vie », c’est recouvrer ce « sens de l’éternité ». ...»
 
 "to come again to the centre, through a restoration of the 'Primordial State', and to attain to 'the Tree of Life', is to recover the " sense of eternity " .”
 
              - René Guénon Le Symbolisme de la Croix (1931) lf.42.

 

The Twins and the Tree

 
Now we've gone a long way about to see that we should hope to find something in the lore of Castor and Polydeucesthat links them to the axis mundiAnd indeed we meet them at least twice sitting in trees.  In the aftermath of the fight at the “Boar’s Grave” as Aristomenes was following the fleeing Spartans we read in Pausanias' Guide ... 4.16.5
 ἔνθα δὴ καὶ παρ᾽ ἀχράδα πεφυκυῖάν που τοῦ πεδίου, παρὰ ταύτην Ἀριστομένην οὐκ εἴα παραθεῖν ὁ μάντις Θέοκλος: καθέζεσθαι γὰρ τοὺς Διοσκούρους ἔφασκεν ἐπὶ τῇ ἀχράδι. Ἀριστομένης δὲ εἴκων τῷ θυμῷ καὶ οὐκ ἀκροώμενος τὰ πάντα τοῦ μάντεως ὡς κατὰ τὴν ἀχράδα ἐγίνετο, ἀπόλλυσι τὴν ἀσπίδα, Λακεδαιμονίοις τε τὸ ἁμάρτημα τοῦ Ἀριστομένους παρέσχεν αὐτῶν ἀποσωθῆναί τινας ἐκ τῆς φυγῆς: διέτριψε γὰρ τὴν ἀσπίδα ἀνευρεῖν πειρώμενος.  

There was a wild pear-tree growing in the plain, beyond which Theoclus the seer forbade him to pass, for he said that the Dioscuri were seated on the tree. Aristomenes, in the heat of passion, did not hear all that the seer said, and when he reached the tree, lost his shield, and his disobedience gave to the Lacedaemonians an opportunity for some to escape from the rout. For he lost time trying to recover his shield.
 This was long after Castor and Polydeuces were meant to be dead.
And in Pindar's Tenth Nemean Ode (awend. Diane Arnson Svarlien):

 μεταμειβόμενοι δ᾽ ἐναλλὰξ ἁμέραν τὰν μὲν παρὰ πατρὶ φίλῳ
Δὶ νέμονται, τὰν δ᾽ ὑπὸ κεύθεσι γαίας ἐν γυάλοις Θεράπνας,
πότμον ἀμπιπλάντες ὁμοῖον: ἐπεὶ
τοῦτον, ἢ πάμπαν θεὸς ἔμμεναι οἰκεῖν τ᾽ οὐρανῷ,
[110] εἵλετ᾽ αἰῶνα φθιμένου Πολυδεύκης Κάστορος ἐν πολέμῳ.
τὸν γὰρ Ἴδας ἀμφὶ βουσίν πως χολωθεὶς ἔτρωσεν χαλκέας λόγχας ἀκμᾷ.
ἀπὸ Ταϋγέτου πεδαυγάζων ἴδεν Λυγκεὺς δρυὸς ἐν στελέχει
ἡμένους. κείνου γὰρ ἐπιχθονίων πάντων γένετ᾽ ὀξύτατον
ὄμμα.

Changing places in alternation, the Dioscuri spend
one day beside their dear father Zeus,
and the other beneath the depths of the earth in the hollows of Therapne,
each fulfilling an equal destiny,
since Polydeuces preferred this life
to being wholly a god and living in heaven, when Castor was killed in battle.
For Idas, angered for some reason about his cattle, stabbed him with the point of his bronze spear. Looking out from Taÿgetus, Lynceus saw them seated in the hollow of an oak (δρυὸς );
for that man had the sharpest eye of all who live on earth.
This oak is a token the axis mundi, and the two lads in the tree are the same as the two snakes that go about the caduceus, or the two dragons that Lludd found at Oxford.
  And then there is the whisper of a tradition it seems that Helen and her brothers and their mother  all hung themselves.  Thus Euripides in his play Helen writes that they killed themselves:

ΕΛΕΝΗ
οἱ Τυνδάρειοι δ᾿ εἰσὶν ἢ οὐκ εἰσὶν κόροι;
ΤΕΥΚΡΟΣ
τεθνᾶσι κοὐ τεθνᾶσι· δύο δ᾿ ἐστὸν λόγω.
ΕΛΕΝΗ
πότερος ὁ κρείσσων; ὦ τάλαιν᾿ ἐγὼ κακῶν.
ΤΕΥΚΡΟΣ
ἄστροις σφ᾿ ὁμοιωθέντε φάσ᾿ εἶναι θεώ.140
ΕΛΕΝΗ
καλῶς ἔλεξας τοῦτο· θάτερον δὲ τί;
ΤΕΥΚΡΟΣ
σφαγαῖς ἀδελφῆς οὕνεκ᾿ ἐκπνεῦσαι βίον.

Helen
Are the sons of Tyndareus alive or not?
Teucer
Dead, not dead: there are two accounts.
Helen
Which is the better one? Oh how miserable these woes make me!
Teucer
That they have been made like stars and are gods.
Helen
That at least is good news. But what is the other story?
Teucer
That they killed themselves because of their sister.

[Euripides. Helen. Phoenician Women. Orestes. ouset and awent by David Kovacs. Loeb Classical Library 11. Cambridge, MA: Harvard University Press, 2002.]
And although we don't hear of their hanging as such, it is a likelihood as we have already marked this as being said to have happwned to Helen on Rhodes and Euripides has Leda their mother hang herself - (βρόχος is a noose):


ΕΛΕΝΗ
ἀπωλόμεσθα· Θεστιὰς δ᾿ ἔστιν κόρη;
ΤΕΥΚΡΟΣ
Λήδαν ἔλεξας; οἴχεται θανοῦσα δή.
ΕΛΕΝΗ
οὔ πού νιν Ἑλένης αἰσχρὸν ὤλεσεν κλέος;
ΤΕΥΚΡΟΣ
φασίν, βρόχῳ γ᾿ ἅψασαν εὐγενῆ δέρην.

Helen
I am undone! Is Thestias’ daughter alive?
Teucer
Do you mean Leda? She is dead and gone.
Helen
What? Killed by Helen’s shame?
Teucer
So they say: she put a noose about her fair neck.
 
 
And also when we consider that both Jesus and saint Peter are only later mythic reflexes...
 
 
 
 
 

 
 


 Above: From Marija Gimbutas' Ancient Symbolism in Lithuanian Folk Art (1958) lf.69.
 
 We have already spoken of the tradition of Gemini being two upside down twins [here], and two upside down twins hanging in a tree might be thought of here.


The upside down Gemini also give us the (hopefully) well-known token of Hercules and the Cercopes (Κέρκωπες).  Hercules here could be for the sun in Gemini or for the neighbouring star-sign of Orion, but  Heracles swapped places with Atlas for a time and could therefore betoken the axis-mundi himself.

By Velvet - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=16176213
 
We thus come to the well known Tarot trump of "The Hanged Man".  He is thus to be understood as an half of Gemini.  The picture below is from the so-called "Visconti-Sforza Tarot Cards" as they have the badges of those kindreds upon them. It is thought to be the work of Bonifacio Bembo and his family, and were made for Bianca Maria Visconti (1425–1468), and her husband, the condottiero Francesco Sforza (1401–1466).  In Italy this card was called  Il Traditore, The Bewrayer or Traitor, but the Latin that this is from, namely Traditor, can mean "teacher" as well as "traitor", as it is from the verb tradere which means literally "to hand over".  The word tradition comes from the same roots.



Those that say this is Saint Peter "hung" or crucified upside down outside Rome on the Janiculum Hill (hallowed to twofold Janus) are not saying anything that goes against this as Peter is himself in the stead of one of the old Heavenly Twins which lives on in all those pairings of Peter and Paul.  And we should call to mind here that it was to Peter that Jesus gave "the keys to the kingdom of heaven" (Matt. 16:19) as a heavenly door-ward.  And does not the gallows in the above Tarot trump look the same as a door-frame?




  

 And this brings us to the sign for Gemini which from the time of Agrippa's De Occulta Philosophia has been understood as showing the Twins standing side by side, one arm resting on the other's shoulders.  It thus matches the layout of the stars of the sign called Gemini in the sky if you link up the dots.  But what if what  it actually shows is a door frame?  And it became a sign of the Heavenly Twins only from them being the wards of this seeming doorway in heaven?
 
 
Now the twin-stars of  the star-sign of Gemini (α and β Geminorum) are linked to Castor (α) and Polydeuces (β).   But this is only from the Spartan twins being evened with  the twin gods of Babylonia, namely Lugalgirra and Meslamtaea/Maslamtaea with whom these stars were linked (see the so-called "Astrolabe B" tablet).   Lugalgirra and Meslamtaea/Maslamtaea were however first and foremostly "guard-gods" (W. G. Lambert "Lugalirra and Meslamtaea" in Reallexikon der Assyriologie und Vorderasiatischen Archäologie 7, (1987-1990) lf.145) and whose likenesses were put either side of earthly door-ways to ward them (see F. A. M. Wiggerman Mesopotamian Protective Spirits: The Ritual Texts (1992) lf. 59).  They would seem to be shown as fighting men and holding axes.  And it would seem that Castor and Polydeuces were at times thought of in the same way.    At least in Sparta the Dioscuri are linked to the so-called dokana (δόκανα) which is a kind of doorway of some kind  and whereon they are  shown as two snakes (see below from the 5th. Century B.C.E. ).
  
Above: the Spartan "dokana" .  A token of the Dioscuri with twin snakes from a
5th. Century B.C.E. frieze from Sparta.

[If the  dokana minneth some of the torii of Japan this is little wonder for the torii, as the Chinese paifang, stem from the  तोरण toraṇa of India.  The English evenling is indeed our old churchyard lychgates.]
 
It is worth minning here that Dante in the Divine Comedy ascends to the empyrean realms and God by way of Gemini.  Paradiso 22:
 
 tu non avresti in tanto tratto e messo
 nel foco il dito, in quant’ io vidi ’l segno
 che segue il Tauro e fui dentro da esso.

 O glorïose stelle, o lume pregno
 di gran virtù, dal quale io riconosco
tutto, qual che si sia, il mio ingegno,


Thou hadst not thrust thy finger in the fire
And drawn it out again, before I saw
The sign that follows Taurus, and was in it.

O glorious stars, O light impregnated
With mighty virtue, from which I acknowledge
All of my genius, whatsoe’er it be,

(Longfellow)

And passing then onwards and upwards Paradiso 23:

 vid’ i’ sopra migliaia di lucerne
un sol che tutte quante l’accendea,
come fa ’l nostro le viste superne;

e per la viva luce trasparea
la lucente sustanza tanto chiara
33nel viso mio, che non la sostenea.

Oh Bëatrice, dolce guida e cara!
Ella mi disse: «Quel che ti sobranza
è virtù da cui nulla si ripara.

Quivi è la sapïenza e la possanza
ch’aprì le strade tra ’l cielo e la terra,
onde fu già sì lunga disïanza».

"I saw a sun above a thousand lamps;
it kindled all of them as does our sun
kindle the sights above us here on earth;

and through its living light the glowing Substance
appeared to me with such intensity—
my vision lacked the power to sustain it.

O Beatrice, sweet guide and dear! She said
to me: “What overwhelms you is a Power
against which nothing can defend itself.

This is the Wisdom and the Potency
that opened roads between the earth and Heaven,
the paths for which desire had long since waited.”

 (Longfellow)
 
 
Varro, a "very learned heathen" (Augustine of Hippo), in hi De Langua Latina (On the Latin Language), book V, chapitle X, §58 marks that there were "Great gods" before the doors (ante portas) at Samothrace shown as two men:

X. 58. Terra enim et Caelum, ut <Sa>mothracum initia docent, sunt dei magni, et hi quos dixi multis nominibus, non quas <S>amo<th>racia ante portas statuit duas virilis species aeneas dei magni, neque ut volgus putat, hi Samothraces dii, qui Castor et Pollux, sed hi mas et femina et hi quos Augurum Libri scriptos habent sic " divi potes," pro illo quod Samothraces  θεοὶ δυνατοί.


X. 58. For Earth and Sky, as the mysteries of the Samothracians teach, are Great Gods, and these whom I have mentioned under many names, are not those Great Gods whom Samothrace represents by two male statues of bronze which she has set up before the city-gates, nor are they, as the populace thinks, the Samothracian gods," who are really Castor and Pollux; but these are a male and a female, these are those whom the Books of the Augurs  mention in writing as " potent deities," for what the Samothracians call " powerful gods."

[Varro. On the Latin Language, Volume I: Books 5-7. Awent by Roland G. Kent. Loeb Classical Library 333. Cambridge, MA: Harvard University Press, 1938.lvs.54 to 55]

Kent's awending of ante portas as "before the city gates" is better understood simply as "before the doors".  Although Hippolytus (and maybe Herodotus also before him) has linked them to Hermes, they are meant to be the Dioscuri (=Castor et Pollux).   And in a list of assertions of what the star-sign of Gemini betokens from a scholion on Germanicus' Aratea, beside Castor and Pollux and Zethus and Amphion we find:
Nigidius deos Samothracas dicit, quorum argumentum nefas sit enuntiare  praeter eos qui mysteriis praesunt.

Nigidius says [they are] the gods of Samothrace, the proof of which it is not lawful to say except by those who preside in the mysteries.
 
A doorway at Samothrace, seemingly to the Rotunda of Arsinoe there, with two torches on pillars either side, and about which wind snakes, was brooked as a token of the mysteries of the island.  Cyriacus of Ancona recorded an inscription there in 1444 that shows it (manuscript copies of the original coming down to us) and later archaeological finds bear witness to the truth of it.
 
 

 
 Above: The doorway to the Rotunda of Arsinoe at Samothrace from an archaeological find (left), and from a copy of Cyriacus of Ancona's drawing  (right). These are from Sandra Blakely's Starry Twins and Mystery Rites : from Samothrace to Mithras (2018) where sources are given.
 
 C. Suetonius Tranquillus, in his Life of Caligula, chapter 22, section 2 the mad emperor built himself a palace turning the temple of Castor and Pollux in the forum  into a kind of gatehouse (vestibulum):

 [2] uerum admonitus et principum et regum se excessisse fastigium, diuinam ex eo maiestatem asserere sibi coepit; datoque negotio, ut simulacra numinum religione et arte praeclara, inter quae Olympii Iouis, apportarentur e Graecia, quibus capite dempto suum imponeret, partem Palatii ad forum usque promouit, atque aede Castoris et Pollucis in uestibulum transfigurata, consistens saepe inter fratres deos, medium adorandum se adeuntibus exhibebat; et quidam eum Latiarem Iouem consalutarunt.

He was strongly inclined to assume the diadem, and change the form of government, from imperial to regal; but being told that he far exceeded the grandeur of kings and princes, he began to arrogate to himself a divine majesty. He ordered all the images of the gods, which were famous either for their beauty, or the veneration paid them, among which was that of Jupiter Olympius, to be brought from Greece, that he might take the heads off, and put on his own. Having continued part of the Palatium as far as the Forum, and the temple of Castor and Pollux being converted into a kind of vestibule to his house, he often stationed himself between the twin brothers, and so presented himself to be worshipped by all votaries; some of whom saluted him by the name of Jupiter Latialis.
 
And what Dio Cassis has to say about this is even molre interesting book 59, chapitle 28:
 
 3 ἐτεκτήνατο μὲν γὰρ καὶ ἐν τῷ Καπιτωλίῳ κατάλυσίν τινα, ἵν᾿, ὡς ἔλεγε, τῷ Διὶ συνοικοίη· ἀπαξιώσας δὲ δὴ τὰ δευτερεῖα ἐν τῇ συνοικήσει αὐτοῦ φέρεσθαι, καὶ προσεγκαλέσας οἱ ὅτι τὸ Καπιτώλιον προκατέλαβεν, οὕτω δὴ ἕτερόν τε νεὼν ἐν τῷ Παλατίῳ σπουδῇ ᾠκοδομήσατο, καὶ ἄγαλμα ἐς αὐτὸν ἠθέλησε τὸ τοῦ Διὸς τοῦ Ὀλυμπίου ἐς τὸ ἑαυτοῦ εἶδος μεταρρυθμίσαι.
4  μὴ δυνηθεὶς δέ (τό τε γὰρ πλοῖον τὸ πρὸς τὴν κομιδὴν αὐτοῦ ναυπηγηθὲν ἐκεραυνώθη,8 καὶ γέλως, ὁσάκις τινὲς ὡς καὶ τοῦ ἕδους ἐφαψόμενοι προσῆλθον, πολὺς ἐξηκούετο) ἐκείνῳ μὲν ἐπηπείλει, αὐτὸς δὲ ἕτερον ἐνέστησε.
5 τό τε Διοσκόρειον τὸ ἐν τῇ ἀγορᾷ τῇ Ῥωμαίᾳ ὂν διατεμὼν διὰ μέσου τῶν ἀγαλμάτων ἔσοδον δι᾿ αὐτοῦ ἐς τὸ παλάτιον ἐποιήσατο, ὅπως καὶ πυλωροὺς τοὺς Διοσκόρους, ὥς γε καὶ ἔλεγεν,

 It seems that he had constructed a sort of lodge on the Capitoline, in order, as he said, that he might dwell with Jupiter; but disdaining to take second place in this union of households, and blaming the god for occupying the Capitoline ahead of him, he hastened to erect another temple on the Palatine, and wished to transfer to it the statue of the Olympian Zeus after remodelling it to resemble himself. But he found this to be impossible, for the ship built to bring it was shattered by thunderbolts, and loud laughter was heard every time that anybody approached as if to take hold of the pedestal; accordingly, after uttering threats against the statue, he set up a new one of himself.1 He cut in two the temple of Castor and Pollux in the Roman Forum and made through it an approach to the palace running directly between the two statues, in order, as he was wont to say, that he might have the Dioscuri for gate-keepers.
 
 

[Dio Cassius. Roman History, Volume VII: Books 56-60. Awent by  Earnest Cary, Herbert B. Foster. Loeb Classical Library 175. Cambridge, MA: Harvard University Press, 1924. lvs. 352 to 353]

 πυλωροί - gatekeepers!

 

 Lions and doors?


 

 Above: The lions aand pillar above a gateway (the "Lion Gate") at Mycenae. Picture by Orlovic - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=3534971






Above: Lion Gate, Hattusa, Turkey by Bernard Gagnon - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=37792370
 
 
 
 Above: A pair of Shishi (獅子, lion) or komainu(狛犬, lion dogs), the "a" on the right, the "um" on the left by Reggaeman - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=7012142.  See also Chinese guardian lions.
 
 
  Lycophron of Chalcis in his Alexandra (awending Simon Hornblower) calls Castor and Polydeuces the "two lions":

ἃ δὴ πρὸς ἄστρων κλίμακα στήσει δρόμον                           510
τοῖς ἡμιθνήτοις διπιύχοις Λαπερσίοις·
οὓς μήποτ᾽, ὦ Ζεῦ σῶτερ, εἰς πάτραν ἐμὴν
στείλαις ἀρωγοὺς τῇ δισαρπάγῳ κρεκί,
μηδὲ πτερωτὰς ὁπλίσαντες ὁλκάδας 
 πρύμνης ἀπ᾽ ἄκρας γυμνὸν αἰψηρὸν πόδα                             515
εἰς Βεβρύκων ῥίψειαν ἐκβατηρίαν,
μηδ᾽ οἱ λεόντων τῶνδε καρτερώτεροι,
ἀλκὴν ἄμικτοι, τοὺς Ἄρης ἐφίλατο,
καὶ δἶ Ἐνυώ, καὶ τριγέννητος θεὰ
Βοαρμία Λογγᾶτις Ὁμολωὶς Βία.                                             520
 
“This will erect a ladder to the way of the stars
for the half divine Lapersian twins.
Zeus Saviour, may you never send them to my fatherland
as helpers of the twice-snatched corncrake,
nor let them arm their winged ships,
and, leaping from the topmost poop, set their swift naked feet on the Bebrykian landing-place;
nor may those others do so, who are even stronger than those two lions,
unmatched in might, beloved of Ares
and divine Enyo and the goddess who was born three times,
the Yoker, Longastis, Homolois, the Forceful.”


 

 
 
 The odd way the "Hanged Man" has his legs bent is not to be overlooked.  In the East Krishna is shown playing his pipe making almost the same shape with his legs.  And Vishnu sometimes borrows it.  But Krishna is a twin brother of Balarama.
 
 
 
 Below we have Cautes (torch up) and Cautopates (torch down) - the "torch-bearers" - who are hardly ever shown that far away from Mithras and were blent with the Dioscuri as the  "Mithraic Cameos" shown beneath will outfold. 






Above: 1. A cameo with the well-known tauroctony "bull-slaying" scene with Cautes (torch up) and Cautopates (torch down) either side of Mithras and the bull.  2. Part of a bas-relief found at Virunum in Noricum with the birth of Mithra from the "petra genetrix" with Cautes  and Cautopates on either side of him.  3. A wonderful cameo with the same birth of Mithra scene, but this time Cautes and Cautopates have shifted into the Dioscuri on horseback with stars and snakes!  Mark the eagle with a snake in his beak at the top.  The back shows these snakes twined about staves and on bows.  Between these snakes are the Dioscuri's two stars, a bowl (crater?) and a pitcher of wine with a square cover (the same that on the front has a round loaf on top). All from Franz Cumont's Classic study.
 
Mithras' appearance with the Heavenly Twins is open to many interpretations.  But the most obvious, even if it is the lowest, is that  he betokens the sun.  His slaying of the bull is a demiurgic act however, and the bull is Dionysus, the third and unlucky brother of the Cabeiri (see [here]).  Originally however it seems Mithras, or what became Mithras, was understood as a goddess.   Here the great mother of the gods, a sun-goddess, reclaims her sons(see [here] & [here] ) .


Above: the goddess Nike doing what will become Mithras' job for him!

 

 

Cyfranc Lludd a Llefelys




Now although Nennius' Historia Bruttonum muddies the waters here, badly misunderstanding the tokening, the Welsh Cyfranc Lludd a Llefelys from the Red Book of Hergest (Jesus College MS111) 174 verso to 175 recto, reminds us that even in less far-flung places the belief was that we should find two dragons  at the “punctus permedius”.  The same holy spot in the middle of things where other folk would also put a tree or something to betoken the axis mundi which should also be there:

“ ac ympenn yspeit gwedy hynny. ỻud a beris messuraw yr ynys ar y| hyt ac ar y| ỻet. ac yn ryt ychen y cauas y pwynt perued. Ac yn| y lle hwnnw y peris cladu y dayar. ac yn|y clad hwnnw gossot kerwyn yn|ỻawn o|r med goreu a|aỻwyt y wneuthur. a|llenn o pali ar y wyneb. Ac ef e hun y nos honno yn|gwylyat. ac ual yd oed ueỻy. ef a welas y dreigeu yn ymlad. A gwedy blinaw onadunt a diffygyaw. wynt a disgynnassant ar warthaf y ỻenn. a’e thynnu gant[h]unt hyt yg gwaelawt y|gerwyn. A| gwedy daruot uddunt yuet y med. kyscu a|orugant. ac yn eu kwsc ỻud a blygwys y ỻenn yn eu kylch. ac yn| y ỻe diogelaf a| gauas yn eryri y mywn kist vaen a’e kudywys. Sef ffuruf y| gelwit y ỻe hwnnw gwedy hynny. dinas emreis. A| chyn no hynny dinas ffaraon dande. ”


And some time after this, Lludd caused the Island to be measured in its length and in its breadth. And in Oxford he found the central point, (y pwynt perued = Latin “punctus permedius”) and in that place he caused the earth to be dug, and in that pit a cauldron to be set, full of the best mead that could be made, and a covering of satin over the face of it. And he himself watched that night. And while he was there, he beheld the dragons fighting. And when they were weary they fell, and came down upon the top of the satin, and drew it with them to the bottom of the cauldron. And when they had drunk the mead they slept. And in their sleep, Lludd folded the covering around them, and in the securest place he had in Snowdon, he hid them in a kistvaen. Now after that this spot was called Dinas Emreis, but before that, Dinas Ffaraon. And thus the fierce outcry ceased in his dominions. ” (awending Lady Charlotte Guest).
Dinas Emreis is understood as the stronghold of an "Ambrosius", but if this name belongs to the “punctus permedius” might it not hide the meaning of "ambrosial stronghold" or " the stronghold of ambrosia"? "cauldron of mead" ...  ?  See Nikolai Tolstoy The Quest for Merlin (1985), ch.8 lvs. 102 to 120.

 And "dinas ffaraon dande" "stronghold of the fiery pharoah" is widely understood as meaning King Vortigern who is said to have been burnt to death in his castle by "igne caelesti" (Nennius HB 47) and then everything was swallowed up by the earth (Nennius HB 48). But there was another tale that he died a broken hearted outcast (Nennius HB 48). Might not the name then rather hide that of some sun, fire or thunder god?  Agni? "Vortigern" after all is also a title rather than a name and meaning "great (vor) tigern (king)".

 
 
Above left: the two dragons - one red, one white, from what we might call the follow-up tale to Cyfranc Lludd a Llefelys. Egerton MS 3028 British Library. 

Above right: the same two dragons are shown in the little bows or arches at the foot of a pillar (=axis mundi?).  From Cotton Claudius b. vii. British Library.


 And this brings me to the picture-stone found under the church floor at Sanda on Gotland.  H. R. Ellis-Davidson in her Myths and Symbols (1988) lf. 168 says "dated to about A D 500",  Do you see the tree, maybe a tokening of  the axis mundi, carved into the stone at the bottom?

By Mollberg - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=21135920

  Where only one snake is marked it is Agni or his wife or daughter Āgneyī.  Thus Richard Dybeck’s Runa (1845):
"Icke sällan får man se ekar, hvilka hela vintrarna bibehålla sina blad. Om dessa har allmogen många berättelser. Den vanligaste är, att den underbara Hvitormen uppehåller sig under en sådan eks rötter. Uppå en liten backe, vestan för byen Axeltorp (i Hjersås socken i Skåne), utij vången, har för några åhr stått en gammall stoor och tiock Eek, kallat Gröne-Eek, för dy hon alltjd med sin lööf fandz grön till Juhlafton var förgången; att ehure starck Vinter, köll, frost och sniö dehr kunde falla, och intet löf kunne finnas på något annat trää, stodh lichvähl samma Eck grön med sin lööf, till dess Juhlen var förgången; sedan föllo all löfven af; och dehr någon fördristade, att hugga eller skära den ringaste qvista af trädt, då öfvergick honom någon vanlycka; Efter gammalt taal sägs en drake haft sit bygge under Eeken i backen.” (1691.)"
"You can sometimes see oak trees, which keep their leaves all winter. About these are a lot of stories. The most common thing is that the wonderful White-snake is staying under such oaks’ roots. On a small hill, west of the town of Axeltorp (in Hjersås parish in Skåne), at the edge of the meadows, there has been for some time an old, great and thick oak, called the Green-Oak, for that it is always found with its leaves green till Yule-eve was gone by; in spite of the hardness of the winter, coldness, frost and snow that there might befall, and no leaves could be found on any other tree, it stood nevertheless the same oak green with its leaves until the Yule-eve was gone; then all the leaves fell off; but no one dared to hew or shear the least limb of the tree, that no unluckiness should overgo them; from an old tale, a dragon is said to have its dwelling under the oak in the hill."(1691.)"
 
Karl Müllenhoff, Sagen, Märchen und Lieder der Herzogthümer Schleswig, Holstein und Lauenburg. (1845), 550. Die Schlange in der Duborg (awend. B. Thorpe):
"In den Ruinen der alten Duborg bei Flensburg lebt eine bläuliche Schlange, die trägt eine kleine Krone von dem feinsten Golde auf ihrem Kopfe. Sie zeigt sich nur einmal am Tage in der Mittagsstunde, aber auch nur auf einen Augenblick. Wer sie aber fangen oder ihr die Krone rauben kann, der ist glücklich. Der König bezahlt ihm sogleich zwanzigtausend Taler Kurant dafür; denn wer sie trägt, der ist unsterblich. - Herr Fries."

"In the ruins of the old Duborg, near Flensborg, there lives a bluish snake that wears on its head a small crown of the finest gold. It appears but once a day, at the hour of noon, and then for a moment only. Whoever can catch it, or get its crown, is fortunate. The king would straightaway give twenty thousand dollars current for the crown; for whoever wears it is immortal."
Here Duborg is for the mountain at the axis mundi.

 

Tree of Life

 So Thule=Hyperborea=Yima's var (where the life of men in the old airyanəm vaēǰō before the climatic shift lives on)=the forefather's chest/ark/ship=The Garden of Eden.


{3:22} And the LORD God said, Behold, the man is become as one of us, to know good and evil: andnow, lest he put forth his hand, and take also of the tree oflife, and eat, and live for ever: {3:23} Therefore the LORD God sent him forth from the garden of Eden, to till the ground from whence he was taken. {3:24} So he drove out the man; and he placed at the east of the garden of Eden Cherubim, and a flaming sword which turned every way, tokeep the way of the tree of life.


That the Garden of Eden was called by a word borrowed from the Parsees' speech Parasdisus/Pardes Proto-Iranian *paridayȷ́ah, from *pari- (“around”) +‎ *dáyjah (“wall”) not only shows us who was borrowing from who here, but also that the Garden of Eden vould be understood as a walled borough.  And it is but a short step here to the New Jerusalem of the Book of revelations, which has, as it were, been built upon the Garden of Eden of Genesis for the tree of life is still there

22.1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb.
2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.
That it bears "twelve manner of fruits, and yielde her fruit every month" looks to a year of twelve months and to greater years dealt into twelve parts.  Now as Guénon well marked this is the tree of the sun into which it goes at the end of a great year to outlast the cataclysm, and from which it will be born again from at the beginning of the next great year.  This is the phoenix's roost, and although linked to the East it truly belongs here in Hyperborea.


  The four rivers make a "polar cross".  The "Heavenly Twins" live there (see Elijah and Enoch).  They might also live in the tree.  In the tale of the Dioscuri this becomes reduced down to them hiding in an oak tree which is the axis mundi!  One with the "tree of life" in the midst of the garden.  And their sister Helen the daughter of the sun is the Shekinah that the Jews say sits in the tree.  Thus on Rhodes Helen is dendritis "of the tree".

René Guénon Le Symbolisme de la Croix (1931) lf.46:

 D’ailleurs, dans diverses traditions, l’image du soleil est souvent liée à celle d’un arbre, comme si le soleil était le fruit de l’« Arbre du Monde » ; il quitte son arbre au début du cycle et vient s’y reposer à la fin. Dans les idéogrammes chinois, le caractère désignant le coucher du soleil le représente reposant sur son arbre à la fin du jour (qui est analogue à la fin du cycle) ; l’obscurité est représentée par un caractère qui figure le soleil tombé au pied de l’arbre. 

Moreover, in various traditions, the image of the sun is often linked to that of a tree, as if the sun were the fruit of the "Tree of the World"; it leaves its tree at the start of the cycle and comes to rest there at the end. In Chinese ideograms, the character designating the sunset represents him resting on his tree at the end of the day (which is analogous to the end of the cycle); darkness is represented by a character that represents the sun falling at the foot of the tree.






 https://upload.wikimedia.org/wikipedia/commons/4/45/NFromentBurningBush1476.jpg


 Above: Moses and The Burning Bush by Nicholas Froment, 1476, triptych at Aix-en-Provence, Avignon School in Flemish style, see [here].

René Guénon Formes traditionnelles et cycles cosmiques. (Traditional Forms and Cosmic Cycles) lf.98, from a review of  La Kabbale juive, from Ignis, 1925, p. 116:

« si l’homme pèche et s’éloigne de la Shekinah, il tombe sous le pouvoir des
puissances (Sârim) ... Mais, au contraire, si l’homme se rapproche de la Shekinah, il se libère, ...»

“if man sins and withdraws himself from the shekinah he falls under the influence of the powers… But if on the contrary man draws near to the Shekinah, he is freed...”.




But the shekinah also dwells between the two cherubim on the ark of the covenant.   Borrowing its meaning from the layout of the universe Clement links these cherubim to the Bears about the Pole.  The Shekinah would be the Pole Star or the snake (Draco) between the Bears.  The Bears would then also be the Heavenly Twins.


But they are also the cherubim as doorwards (like Janus and like Peter)-

Genesis 3.24:

"... and he placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life".




Above from Mrs. J. H. Philpot's 'The Sacred Tree' (1897).  The lions have become γρῦπες, gryphons?  The well-spring of the four-rivers is betokened by the two-handled urn which has overtones of the cantharus (κάνθαρος) as a vine-stock sprouts from it. The Christians at least taking wine as a substitute for the nectar of the gods which confers immortality, the Eastern soma.  The name of the gryphon is "commonly linked to γρυπός (grupós, curved), which is from Proto-Indo-European *ger- (to turn, twist, bend, wind), related to Old English crumb, crump (bent, crooked), Old High German krump.

Beekes and Klein dismiss an Indo-European origin and instead suggest Pre-Greek; possibly borrowed via Hittite or some other Anatolian medium from a Semitic word related to Akkadian 𒅗𒆕𒁍 (karūbu) and Hebrew כרוב(kerúv)." (wiktionary) That is cherub.

Flavius Philostratus mentioned them in The Life of Apollonius of Tyana 3.48:
"Ὃν δ᾿ ὀρύττουσι χρυσὸν οἱ γρῦπες, πέτραι εἰσὶν οἷον σπινθῆρσιν ἐστιγμέναι ταῖς τοῦ χρυσοῦ ῥανίσιν, ἃς λιθοτομεῖ τὸ θηρίον τοῦτο τῇ τοῦ ῥάμφους ἰσχύϊ. τὰ γὰρ θηρία ταῦτα εἶναί τε ἐν Ἰνδοῖς καὶ ἱεροὺς νομίζεσθαι τοῦ Ἡλίου, τέθριππά τε αὐτῶν ὑποζευγνύναι τοῖς ἀγάλμασι τοὺς τὸν Ἥλιον ἐν Ἰνδοῖς γράφοντας, ..."

    "As to the gold which the griffins dig up, there are rocks which are spotted with drops of gold as with sparks, which this creature can quarry because of the strength of its beak. “For these animals do exist in India” he said, “and are held in veneration as being sacred to the Sun ; and the Indian artists, when they represent the Sun, yoke four of them abreast to draw the images ; ...". (awend. F. C. Conybeare vol. 1, lvs. 332 to 333)

  



Above from Mrs. J. H. Philpot's 'The Sacred Tree' (1897).

 



Above: the martyrdom of saints Crispin and Crispinian.  A misunderstood symbol?



"ἱεροὺς ... τοῦ Ἡλίου"!

Farewell.